Author: eraserheadpress

Founded in 1999, Eraserhead Press is an independent publisher of bizarro fiction and cutting-edge horror. Under the leadership of Rose O’Keefe, the press has developed an international cult following for its main line of trade paperbacks and e-books. The press releases new books every month and has published over four hundred titles by 150 different authors including Piers Anthony, Brian Keene, Michael Cisco, Molly Tanzer, Carlton Mellick III, Jeremy Robert Johnson, John Skipp, Edward Lee, J.F. Gonzalez, Laura Lee Bahr, and Wrath James White. The company also publishes under four imprints: Deadite Press, Fungasm Press, Lazy Fascist Press, and The New Bizarro Author Series. Located in Portland, Oregon, Eraserhead Press is the oldest and largest publisher of bizarro fiction having helped introduce readers to the genre with The Bizarro Starter Kit and The Best Bizarro Fiction of the Decade anthologies. In addition to publishing unique well-crafted books, they have experimented with different business models, from their humble beginning as a DIY zine publisher, to an author collective, a volunteer staff of for-the-love writer/editors, to a full-time publishing house with multiple imprints and international distribution. Eraserhead Press has gained a reputation for their eye-catching covers and compelling titles such as The Haunted Vagina, Help! A Bear Is Eating Me!, Baby’s First Book of Seriously Fucked Up Shit, and Shatnerquake. They are also known for their unique marketing strategies like homebrewing beer in honor of their books to be served at parties, busking on street corners, selling books at film festivals and rock concerts, throwing performance art events and advertising books inside the boxes of local pizzerias. With an eye for keeping things fun, Eraserhead Press values open-mindedness, curiosity, and artistic expression. The company motto is: Take what you do seriously, but never take yourself too seriously. Over nearly two decades, the press has been successful at attracting readers and writers, outside the mainstream, who get invested not only in the work but in the community associated with it. Readers call the books “addictive” and often comment that they’d given up on reading until encountering these books. Writers have moved to Portland to get more closely involved with the press, fans have tattooed images of the company logo and characters from the books, and half a dozen other small presses internationally have cited Eraserhead Press as an inspiration for their formation. The press also frequently collaborates with international publishers, filmmakers, musicians, and visual artists on adaptations and translations of the works.